A small bird can quiet a whole room. Soft Footing shows a female red-winged blackbird gripping a dried reed at Evergreen Lake, Colorado, her streaked brown plumage set against a wide, out-of-focus field of reeds melted into peach and beige.
The eye goes first to her face: a sharp dark eye with a clear catchlight and a pale stripe above it. From there it travels down the streaked breast to a patch of rust at the shoulder, the one warm note in the frame, and along the slim diagonal of the reed to the feet that hold her. She sits right of center and looks left into open space, so the soft ground stays empty and the bird has room to breathe. A pale second stalk at the right edge repeats the line of her perch.
The painterly field of color follows Ernst Haas, where blur becomes the atmosphere around a subject, and the single small figure with so much quiet around it owes something to Andrew Wyeth's restraint. Her feathers are rendered with the care of a natural-history plate, while the background keeps it a fine art photograph rather than a field guide.
Soft Footing suits healthcare and wellness rooms, boutique hotel and spa corridors, dining rooms, bedrooms and offices that want calm and a touch of the natural world. The peach and beige ground sits easily beside warm white, oatmeal, walnut and soft green, and her brown plumage gives it enough weight to hold a wall. The 3:2 format fits above a console, a bed or a reception desk.
For the same bird: Pair with The Sentry, a male red-winged blackbird seen close, his red-and-gold epaulet the single note of color. Same species, the opposite sex and mood: his is a bright signal, hers is a quiet, camouflaged one.
For the same quiet palette: Pair with Winter's Watch, a red-winged blackbird holding still against a pale winter sky, another calm portrait where the ground is soft and the bird is the only dark note.
For the same wetland world: Pair with Sentinels of the Shallows, a heron and a cormorant at a wetland's edge, the larger birds of the same marsh habitat where she makes her living among the reeds.
Available as a signed, numbered limited edition print (edition of 15) in framed or unframed archival paper, ChromaLuxe® Metal (Gloss, Semi-Gloss and Matte), TruLife Acrylic, canvas, and wood. Framed archival paper is the first recommendation: the watercolor-soft ground and fine feather detail read as a quiet tonal print, closest to a traditional natural-history plate. ChromaLuxe® Metal in Matte is the alternate, holding the warm peach and the rust accent at the shoulder with little glare. Acrylics are printed on TrueVue or low-glare acrylic.
Note: Custom and oversized photographic prints are available. Please contact the studio directly to discuss custom framing, matting, or specialized museum glass options.
A small bird can quiet a whole room. Soft Footing shows a female red-winged blackbird gripping a dried reed at Evergreen Lake, Colorado, her streaked brown plumage set against a wide, out-of-focus field of reeds melted into peach and beige.
The eye goes first to her face: a sharp dark eye with a clear catchlight and a pale stripe above it. From there it travels down the streaked breast to a patch of rust at the shoulder, the one warm note in the frame, and along the slim diagonal of the reed to the feet that hold her. She sits right of center and looks left into open space, so the soft ground stays empty and the bird has room to breathe. A pale second stalk at the right edge repeats the line of her perch.
The painterly field of color follows Ernst Haas, where blur becomes the atmosphere around a subject, and the single small figure with so much quiet around it owes something to Andrew Wyeth's restraint. Her feathers are rendered with the care of a natural-history plate, while the background keeps it a fine art photograph rather than a field guide.
Soft Footing suits healthcare and wellness rooms, boutique hotel and spa corridors, dining rooms, bedrooms and offices that want calm and a touch of the natural world. The peach and beige ground sits easily beside warm white, oatmeal, walnut and soft green, and her brown plumage gives it enough weight to hold a wall. The 3:2 format fits above a console, a bed or a reception desk.
For the same bird: Pair with The Sentry, a male red-winged blackbird seen close, his red-and-gold epaulet the single note of color. Same species, the opposite sex and mood: his is a bright signal, hers is a quiet, camouflaged one.
For the same quiet palette: Pair with Winter's Watch, a red-winged blackbird holding still against a pale winter sky, another calm portrait where the ground is soft and the bird is the only dark note.
For the same wetland world: Pair with Sentinels of the Shallows, a heron and a cormorant at a wetland's edge, the larger birds of the same marsh habitat where she makes her living among the reeds.
Available as a signed, numbered limited edition print (edition of 15) in framed or unframed archival paper, ChromaLuxe® Metal (Gloss, Semi-Gloss and Matte), TruLife Acrylic, canvas, and wood. Framed archival paper is the first recommendation: the watercolor-soft ground and fine feather detail read as a quiet tonal print, closest to a traditional natural-history plate. ChromaLuxe® Metal in Matte is the alternate, holding the warm peach and the rust accent at the shoulder with little glare. Acrylics are printed on TrueVue or low-glare acrylic.
Note: Custom and oversized photographic prints are available. Please contact the studio directly to discuss custom framing, matting, or specialized museum glass options.