My work has been exhibited across more than a dozen galleries, institutions, and corporate collections throughout the St. Louis and Colorado regions — including the International Photography Hall of Fame, Webster Arts, Commerce Bank, Busey Bank, and the Center for the Arts in Evergreen, Colorado, alongside regular participation in juried art festivals throughout the Midwest and Rocky Mountain West.

At the Webster Arts Gallery, Storm Gate received First Place and Lavender Rhapsody received Second Place, part of a continuing track record of jury acceptance, award recognition, and institutional placement across both regions. At the Green Door Gallery, as well as second place recognition at the Green Door Gallery.

The photographs themselves are shaped by restraint, atmosphere, and spatial presence — landscape and architectural forms built on the quiet modulation of light rather than dramatic gesture, intended to reward sustained viewing as both standalone pieces and a cohesive long-form body of work.

Process:

The final print is not a reproduction of the photograph — it is the photograph. My process moves through Lightroom and Photoshop, then Nik for fine-grained tonal and color control, On1 for dynamic contrast and detail work, and finally TK9's luminosity masking for the last, most precise adjustments. I print exclusively on archival substrates — ChromaLuxe® Metal, TruLife Acrylic on TrueVue or low-glare acrylic, and Photo Rag paper — through a fine art printer whose standards match the demands of the work.

This body of work is refined through a continuous cycle of editing and archival-grade printing, re-sequenced as new work emerges to maintain a progressive trajectory suited to gallery representation and institutional placement.

For gallery representation inquiries, please reach out directly.